Wonderland brings together pieces born without a clear function, yet with an undeniable identity. Objects that border on the sculptural and coexist with the rest of the Lola Glamour universe without asking permission.
Chapter I
Not everything is designed to be understood instantly.
Inside some pieces, layers accumulate,
references and memory.
Wonderland begins there:
where the object holds something more than just form.
Matryoshka Queen
Flamenco Matryoshka
Matryoshka King
Chapter II
Urban Utopia
Manhattan
Manhattan is born from a recognizable reference,
but it departs from any literal intention.
It does not reproduce a city,
but the idea of a city.
The scale transforms
to make the urban feel more accessible.
Moscow
Moscow does not respond to a real scale,
but on an emotional scale.
Their shapes are reminiscent of symbols,
to an architecture lived in and remembered
In Wonderland, the buildings do not represent places,
They represent ideas.
Imaginarium
The Imaginarium Castle does not belong to any city.
It is architecture without geography,
built from fantasy and not from reference.
At this point, scale ceases to matter.
What remains is the possibility of imagining.
Chapter III
Ice cream cart
Chapter IV
Mr. and Mrs. Robot are not your average couple. They're a family of parts that seem to have come from another world. They combine almost mechanical gestures with handcrafted construction, as if technology had learned to build itself by hand. As for Baby Robot, he seems to take everything very seriously. Watering plants or serving coffee is part of his routine.
